Assault on Precinct 13 – Collector’s Edition

Summary

Shout!Factory is one of my favorite film distributors mainly due to their label Scream Factory that focuses on pristine releases of cult classic horror films. No releases by the label are quite as special to me in their catalog as their releases of John Carpenter films. I am an unabashed die-hard John Carpenter fan, and I would stack their releases of The Thing, The Fog, and Escape from New York against any major release from any other label, including the beloved Criterion Collection. John Carpenter is not only an incredible filmmaker but is also one of the most influential film-composers of the last fifty years. John Carpenter is also the only director that has ever replied to a short Q&A from me, which secured my belief that he is one of the most down-to-earth creative geniuses ever. That is why I decided to purchase the Shout!Factory release of his classic second film, Assault on Precinct 13.

Warning: To discuss the film, one of the most surprising scenes of the film is spoiled in the synopsis. If you have not seen the film, heed the warning inside the synopsis to skip a few lines.

Assault on Precinct 13 begins with six gang members being brutally gunned down somewhere in Los Angeles. In response, the remaining gang members decide to wreak havoc. Reporting for duty at Precinct 13 is officer Ethan Bishop (Austin Stoker) who is watching over the station for its last night in existence. The station has been moved to a new building and Ethan is just there with a couple secretaries and senior officers. Also, the phone lines are down. A bus shows up from a prison carrying a couple dangerous criminals, including Napoleon Wilson (Darwin Joston.) The bus needs to stay at the precinct station for a little while because a prisoner has taken ill. (SPOILER – SKIP A COUPLE LINES) Meanwhile, across town, the malicious gang members indiscriminately kill a little girl at an ice cream stand. Her father kills one of the gang members in retaliation. The gang members follow him to the police station where he takes refuge. The gang members begin to lay siege to the station with silenced weapons. Surrounded and without a way to communicate with the outside world, the prisoners and officers are forced to band together to stay alive.

Assault on Precinct 13 was only John Carpenter’s second film, but it already has a lot of the elements that define his best work. The pacing for the most part is excellent. There is an element of claustrophobia which defines most of his film work and is certainly present here. There is a mixture of humor and violence. It also has the same type of ballsiness that only Carpenter could pull off with a memorable scene of violence that probably would not fly today. The trademark Carpenter synth score sound is already present as well. All of it comes together for a very enjoyable film.

That said, a few elements are not quite as well-rounded. Some of the dialogue seems a bit rushed or a bit unconvincing. Some of the sound effects are dated (understandably.) I found the actor who played Napoleon to be enjoyable, but not entirely convincing. 

Aside from some minor gripes, I thoroughly enjoyed Assault on Precinct 13. It was way ahead of its time to the point that it has already been remade (decently) with Ethan Hawke and Lawrence Fishburne filling in the main roles. If you love John Carpenter films, it is well worth your time.

Video

Shout!Factory did a fantastic job on the transfer of the film using an MPEG-4 AVC codec of a new 2K restoration. The transfer is another solid effort by Shout!Factory and the image looks natural and good, retaining the full filmic look. Contrast, coloring, depth, and detail are all excellent. There are only a couple noticeable drop-outs in image quality and they are relatively minor. Douglas Knapp’s Panavision cinematography looks great and has really stood the test of time. Considering that this movie was made for only $150,000 in 1975, it is really a great-looking film. I am glad it was put in such capable hands.

Audio

Shout!Factory has really done an excellent job on this release. They have provided a brand new DTS-HD Master Audio 5.1 track that sounds fantastic, and a 2.0 track. The 5.1 track does well with the directionality of all the gun shots and debris, but really shines on the John Carpenter score. It sounds absolutely great. That said, as I mentioned earlier, some of the foley effects are a bit dated, so expect to hear some familiar effects!

Supplements:

The disc includes all previously released supplements from the Image Release along with some new featurettes.

Interview with John Carpenter and Austin Stoker – an extremely enjoyable interview with the star and the director. Carpenter obviously gets most of the questions from the enthusiastic crowd.

Original Theatrical Trailer 

Radio Spots 

Audio Commentary with Director John Carpenter – I love these commentary tracks with the master! Carpenter is always very transparent in what he remembers from his filmmaking.

Audio Commentary with Art Director and Sound Effects Designer Tommy Lee Wallace. – He went on to direct one of the most batshit-crazy movies ever, Halloween III: Season of the Witch, which I love. Solid track. This commentary is hosted by Michael Felsher.

Isolated Music Score

Bishop Under Siege With Austin Stoker – is a nice interview with Stoker who discusses his decision to become an actor and his time working on the film. His army experience came in to play during the filming. Brief, but nice.

The Sassy One With Nancy Loomis – an enjoyable interview with Loomis, who appeared in five of Carpenter’s films.

Still Gallery 

Overall scores

Video – 4.5/5

Audio – 4.5/5

Supplements – 4.5/5

Overall – 4.5/5

Assault on Precinct 13 is John Carpenter’s second film and shows that he had already developed his unique sensibilities that informed his later films. While not a perfect film, I really enjoyed it. Shout!Factory have provided a great transfer and some really enjoyable supplements. Well worth checking out for any fan of Carpenter’s work.
This review originally appeared on Blu-ray Authority.