Tobe Hooper’s first film for the Cannon Group is as ambitious as it is preposterous and insane. “Lifeforce” gave Tobe Hooper a $20 million budget, and he gave the world nude space vampires and a zombie apocalypse. Shout! Factory has given the Theatrical Cut a UHD release.
“The Funhouse” is a well made horror film from Tobe Hooper that is set apart by strong production design, its carnival setting, and Andrew Laszlo’s cinematography. Shout! Factory’s 4K UHD release is excellent.
“Poltergeist” is arguably Tobe Hooper’s greatest film. Warner Bros. has given the film a 4K release to celebrate its fortieth anniversary. It’s a wonderful film that is as scary as it is fantastic.
“The Fog” is one of the most atmospheric horror films ever made. John Carpenter’s classic has been given an amazing new UHD release by Shout! Factory that ups the ante with an Atmos track.
MVD Rewind has teamed with 88 Films to bring the 1997 action film “Drive” to 4K UHD. Boasting a new Atmos track and HDR, the film has never looked or sounded better.
“The Lost Boys” is a teenage vampire film from 1987 that still works because of its strong visuals, great cast, and off-beat comedic charms. Warner Bros. UHD release looks and sounds fantastic.
Joel Schumacher’s “Flatliners” has been given a significant 4K UHD upgrade by Arrow Video with color grading approved by cinematographer Jan de Bont. It is far and away the best way to experience the film.
“Event Horizon” is one of the best horror and science fiction films of the Nineties. The new Paramount 4K UHD is the best presentation yet of the film.
“True Romance” is one of the best films of the Nineties. Watching Tony Scott interpret the words of Quentin Tarantino while maintaining his signature visual style is an absolute treat. The 4K UHD release by Arrow Video looks gorgeous and features the legacy content alongside a few new features.
“God Told Me To” is a unique thriller from the inimitable mind of independent guerrilla filmmaker Larry Cohen. The Blue Underground release looks and sounds fantastic and features a new commentary by Steve Mitchell and Troy Howarth.