Nightmare at Noon

Summary

“No charge for the parts and labor, Floyd.”

Nico Mastorakis is not exactly a household name, but the Greek director of films such as Hired to Kill and The Zero Boys has had a pretty good run on Blu-ray. Niche labels like Shout!Factory and Arrow Video have released several of his films over the years. I am a fan of his work, but it definitely is directed towards a fun loving crowd. His films are pretty wacky at times and may not be everyone’s cup of tea. They have a certain charm to them that will shine through to some viewers, and some of his movies are better than others. A few years ago, Shout!Factory released Nightmare at Noon on Blu-ray. Arrow Video has now brought the film back to Blu-ray with a new and improved 2K transfer of the film. Fans that missed out on the Shout! Factory release will definitely want to own this new edition.

Passing through a small town in Utah in an RV, lawyer Ken Griffith (Wings Hauser) and his wife arrive at a small diner. Inside, they meet drifter Randy (Bo Hopkins.) Unbeknownst to them, a secretive government agency is performing an experiment on the small town. They have sealed off the town and released a toxin into the aqueduct that causes the town people who drink the water to become enraged lunatics. The experiment is being led by a mysterious albino (Brion James.) At the diner, Randy and Ken witness a local man go crazy and become violent. Sheriff Hanks (George Kennedy) and his daughter Julia (Kimberly Ross) arrive on the scene and try to calm the man down. When the enraged citizen kills a policeman that also happens to be Sheriff Hank’s son, the Sheriff has no choice but to shoot the enraged citizen. The man bleeds green blood. It is not long before other citizens, and Ken’s wife, begin to show effects from drinking the water. Ken, Julia, Hanks, and Randy team up together to find those responsible and save the town while the citizens erupt into madness and violence. At the same time, the secret agency begins to clean up any evidence of the experiment and its deadly aftermath.

Nightmare at Noon starts off promising, but there are some real pacing issues. A lot of the pacing issues in the latter half of the film are caused by all the shots of horseback riding. The audience will understand that Mastorakis tried to turn the movie into a Western, but the filmmakers could have achieved this without all the nonsensical editing. Honestly, I feel like there is a fun film in here but the editing of the movie distracts from the dialogue and occasionally distracts from the action. The action in the film is not as refined as Mastorakis showed he was capable of directing in The Zero Boys. It is closer to the action seen in Hired to Kill, but the editing is not nearly as fluid as in that film.

That said, there is still a lot to enjoy here. The central performances are a lot of fun. My favorite in the film is a ham fisted performance by George Kennedy. I love watching that guy act under the direction of Mastorakis. Kennedy does not rival the amazingly bizarre performance by Oliver Reed in Hired to Kill, but there is a scene involving fire and Kennedy that is easily my favorite scene in the film. I enjoyed getting to watch Wings Hauser act, but his performance here is much more restrained than some of his other work. I feel like fans of Wings will find that he is a little underutilized. Bo Hopkins is always fun to watch, but his physique at the time this was filmed doesn’t lend itself to action star status. Some of the action scenes are definitely hampered by his slower cadence. Brion James looks insane in this film as “the Albino.” He elevates the film by his sheer presence, even though he is not given a ton to work with here.

The film’s overall plot is a fun mash-up of The Crazies and Western films. I also enjoyed the dialogue in the film which is full of one liners. The film features a delightfully cheesy score by Hans Zimmer and Stanley Myers. It is worth noting that this is the same Hans Zimmer that would go on to score Christopher Nolan’s films. The film’s cinematography by Cliff Raike benefits from his years as a camera assistant on films like Magnum Force and The Yakuza. There are some really impressive aerial shots in the final third of the film.

Overall – Nightmare at Noon is a fun but flawed film that is hurt by some poor editing choices and some pacing issues. It felt to me like this film could have been something special if the editor had done a better job of bringing the best out of the material. There is still a lot to enjoy here for fans of Nico Mastorakis, but you should adjust your expectations accordingly. 

Video

Presented in 1.85:1 aspect ratio by Arrow Video with an MPEG-4 AVC Encoded image, the 1080p presentation looks nice. The transfer of the film was done in 2K from a 35mm interpositive, so fine detail is solid. Because the majority of the film is shot in the day time and in Utah, the film exemplifies strong fine detail and shows off the Western locations. The most striking shots are in the aerial helicopter sequences in the finale of the film. Fans should be really happy with the results here. The video presentation struck me as being superior to the prior Shout! Factory release.

Audio

Similar to the video, the audio presentation on Nightmare at Noon is capably done. Arrow Video has provided an LPCM 2.0 track (which replaces the DTS-HD MA 2.0 stereo track from the Shout! Release) and a new DTS-HD MA 5.1 track. The stereo track sounds pretty good, but I opted for the new 5.1 track. It all sounds good thanks to the soundtrack courtesy of composers Hans Zimmer and Stanley Myers. Depth is limited, but the audio presentation is pretty clear. The action sequences have explosions and gun shots, but they are mainly of the canned sound type. Fans should be happy to see the original sound design preserved and the new 5.1 track.

Supplements:

• The Making of Nightmare at Noon – an archival making of feature that was originally on the Omega DVD release. There are some really nice interviews with both George Kennedy and Brion James conducted by Mastorakis.
• Behind the Scenes Cuts of Nightmare at Noon 
• On Set Interviews 
  • • Wings Hauser
    • Bo Hopkins
    • Kimberly Beck
    • George Kennedy
    • Brion James
• Trailer
• Image Gallery

Overall Scores:

Video – 4.25/5

Audio – 4.25/5

Supplements – 3.5/5

Overall – 3.5/5

Nightmare at Noon starts off strong but the film struggles with pacing issues and poor editorial choices. Fans of Nico Mastorakis will find themselves pleased, but they will probably not rank this as one of their favorite films by the Greek director. That said – Brion James, Wings Hauser, Bo Hopkins, and George Kennedy are all fun to watch in B-Movie mode, and there is still fun to be had watching the film. The archival documentary by Nico Mastorakis about making the film is enjoyable and full of interviews, but it would have been nice to have some brand new features for this release. As it stands, this is a fan pleasing release of a decent Nico Mastorakis film. The transfer for the Arrow Video release is a step above the Shout! Factory release, and the new DTS-HD MA 5.1 track is also an improvement. This release also has a couple more supplements than were featured on the Shout! release. This will be the preferred way to watch the film.